The Peterborough Festival - 2007
The Embankment Weekend
Kakatsitsi - Master Drummers from Ghana



Kakatsitsi are a group of traditional drummers, dancers and
singers from the Ga tribe of Southern Ghana, with their roots in
the fishing community of Jamestown, the part of Accra where the
British based their colonial headquarters.

Their music takes traditional rhythms and chants from their
own Ga tradition and those of a variety of other West African
cultures, rearranging them in a modern and accessible way. Since
1996, Kakatsitsi have toured the UK 7 times, working with a wide
variety of festivals, arts centres and local authorities. The
recent addition of a strong dance element, to complement the
already outstanding drumming and singing components, has
established Kakatsitsi as the leading African traditional group in
the UK, with the leading Ga singers, drummers and dancers among
their number.
Ideal for festivals, carnivals, street performances or village
halls, Kakatsitsi can adapt to most environments. Seen live, they
show culture as it is meant to be celebrated, breaking down the
barriers between audience and performers by encouraging the active
participation of the people in the celebration, whether on the
drums, chanting or dancing. Recorded music is all very well, but
with traditional music and dance the measure of the performance is
in the involvement of the people in the spirit of the
occasion. Kakatsitsi's music combines traditional drumming grooves
played on a wide variety of West African drums with melodies from
bamboo flutes, xylophone and traditional chants sung in six part
harmony, the quality of which sets them above most dance-led
traditional African groups.
The group have developed a particularly strong
educational dimension, whereby they visit local
schools or youth & community centres in the week running up to
a performance to teach a few simple rhythms, chants and dances.
They then invite the children along to the final performance, where
they join in with a final communal finalé, demonstrating
what they have learned during the week. As well as fulfilling an
important outreach and therefore marketing role for the
performance, it also facilitates an all-important participatory
component that helps generate the sense of community that is the
inherent function of music and dance in traditional
societies.


Kakatsitsi first visited the UK from June-December 1996,
visiting a number of festivals with the EcoTrip DIY Cultural
Caravan, a travelling edutainment roadshow with strong links to the
environmental movement. Their appearance at Return to the Source,
the pioneering trance club, introduced them to club culture and
paved the way for a session in the studio with Medicine Drum, the
trance-percussion fusion outfit. Later in the year, members of
Kakatsitsi also played percussion on "Journey Between' by Baka
Beyond, a popular Afro-Celtic fusion group.
In 1997 and 1998 Kakatsitsi's efforts to return to the UK to
build on the success of 1996 were frustrated by the obstruction of
immigration officials at the British High Commission in Accra who,
concerned at the shoe-string nature of the 1996 tour, refused to
grant the musicians permission to enter the country. While this
cost the group's management company dearly, the opportunity was
taken to revamp the membership of the group and to record the
group's debut album Etso Mia Dogo (We will see you tomorrow).
Recorded live in a garden in the Accra suburb of Osu, the recording
features the occasional sound of the resident chickens as well as
occasional sardonic references to the High Commission staff who
were causing the group so many problems.
In 1999, after an extensive campaign in which 16 MPs lobbied
the Foreign Office and the High Commission to allow the group to
travel, Kakatsitsi returned to the UK and immediately
re-established themselves. Focussing particularly on the
educational dimension of their work, in which they conduct a series
of workshops prior to a performance in which the students join the
group on stage, Kakatsitsi developed a formula and a track record
of success. Highlights included an appearances at Glastonbury,
where they led the fire rituals to honour Jean Eavis in the Stone
Circle and the London 'Big Time' Millennium Celebrations.
The subsequent 2000 tour saw Kakatsitsi return with an
expanded group. Establishing a web presence for the first time,
Kakatsitsi were encouraged to see one of the tracks off Etso Mia
Dogo, 'Adele', stay at no.1 in the African music charts on MP3.com
for 24 days.
The 2001 UK tour provided further recognition of the power of
Kakatsitsi's music and presence. After leading a small procession
in Oxford in support of the Drop the Debt Campaign, Kakatsitsi
attended the G8 summit in Genoa in July, performing in a church
service and entertaining the protestors. One of the only
representatives of the developing world, they went some way at
least in fostering a carnival atmosphere of peaceful protest.
During October, Black History Month, they visited 23 schools in the
London Borough of Hammersmith and Fulham, culminating in an event
at the Town Hall in which many of the schools presented a
performance of the rhythms, dances and chants learned with the
drummers during the week.
In 2002, Kakatsitsi once again toured the UK with Red Centre
Dreaming, an Aboriginal performance company, on the Ancestral
Voices tour. Funded by the Arts Council of England, the tour
developed a unique fusion set between the tribal dance cultures of
Ghana and Australia, performing at festivals and arts centres from
Inverness in Scotland to Bodmin in Cornwall. With support from a
grant from North-West arts, Kakatsitsi and Red Centre Dreaming were
also able to develop a second ground-breaking fusion project
combining the organic, human sounds of traditional drumming and
chanting with the pulsating energy of Western dance music.
Building on their track record of success, particularly in the
educational realm, Kakatsitsi's 2003 UK tour saw them complete
acclaimed projects with a wide variety of local authority partners.
The highlight of the year, however, was a 7 week tour of Scotland,
culminating in a week in Dundee developing a fusion set with some
local traditional musicians, paving the way for future
collaborations.
During 2004, Kakatsitsi have taken time off from touring to
focus on developing new work and spent 3 months in Ghana, where
they were developing a fusion project with western dance music
producer Greg Hunter, supported by a development grant from the
Arts Council of England.


In 2005, Kakatsitsi returned for another UK wide tour, the
highlight of which was performing an opening ceremony at the Make
Poverty History festival in Edinburgh before leading the march
around the city.


An impromptu performance for Gordon Brown at a Christian Aid
rally led to them collaborating with Bob Geldof to lead a
reverential moment on the morning of the G8 summit.
